The only problem with doing that is there is no way to control the gain of the LUT, it seems stuck at 100% unless there is a way to work around this. However, if I use your LUT as an Input LUT in the basic corrections panel, this is not a problem. Looking at my waveform monitor, it jumps everything up like 20 or 30 values on the IRE scale. The problem I am having is this: when I use one of your LUT’s in the “Look” Creative panel, it works perfectly and I can adjust the intensity/gain to my liking, but when I make almost any other minor adjustment, such as a very minor luminance or hue adjustment, it suddenly blows everything out. There are 2 options for LUT’s now, one is the “Input LUT” in the Basic Corrections panel, and the other is the “Look” in the Creative panel.
#Sony cine4 to rec709 lut pro
You are probably well aware of the new color grading panel in Premiere Pro 2015. Hi Alister, I have a question for you regarding your LUT’s as used Premiere Pro CC 2015. Good grading start point.įilmic3 = Similar to Filmic2 but a little more contrast at the expense of a little less highlight roll off. Will be slightly low contrast but deals much better with over exposure or bright highlights than vanilla 709.įilm-Like1 = An extended range gamma with highlight roll off (+400% range), slightly de-saturated, slightly more film like color (small red/yellow removed).įilmic2 = Extended range low contrast gamma with very good over exposure handling. 1STOP would be used when the SLog2 was exposed 1STOP over and in this case the LUT then shifts the exposure back down 1 stop to compensate.ħ09 = Vanilla Rec-709, very contrasty, but limited highlight response and hard clip of over exposure.ħ09(800) = Rec-709 gamma with 800% (high) dynamic range.
The exposure offset refers to the number of stops the footage is over exposed by relative to the normal SLog2 exposure level of Middle Grey at 32% and 90% white at 59%. But in the mean time here are the LUT’s if anyone want’s to play (and I would like feedback on what you think of them).ħ09(800) = Output gamma or style.
#Sony cine4 to rec709 lut how to
I am in the process of creating the complete workflow and SLog-2 guide for the A7s which I should be publishing later next week which will have much more information on how to use these LUT’s. One is Rec-709 based LUT’s and the other Filmic LUT’s to act as starting points for further grading. So I created a set of LUT’s that includes compensation for shooting at the nominal correct exposure as well as either 1 or 2 stops over exposed. In addition as the camera is only 8 bit I have found that I am actually getting the best results from the Slog-2 if I over expose it just a little bit, depending of course on the scene. I realised almost straight away that a set of LUT’s for this camera would really help speed up my grading and testing. I’ve been doing a lot of work on shooting SLog-2 with the A7s.
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